Saturday, February 08, 2014
I No Longer Respect the Grammys
It's been a while, I know. There. That's all I'll acknowledge of the hiatus that happened. Let's all just move forward yeah?
Macklemore and Ryan Lewis won a Grammy for best rap album. Wait...stop...I don't want to start like this.
The Grammy's are, in my mind at least, the last bastion of artistic credibility. I had this conversation during a round of screen golf and the general consensus is that I am a) expecting too much from the Grammy's and b) racist/homophobic. At least that's what I was told.
This threw me for a bit of a loop. As a person who is proud of my heritage (I'm black and I'm proud) I tend to forget that my overzealous defense of my particular view point can actually lead to reverse racism. Maybe I disliked the Macklemore and Ryan Lewis nomination and win because it didn't highlight what I've felt is largely the only music genre that originated with Black Americans that still largely remains ours. This is a thought that's tormented me, ever since I decided to change the name of this blog from Deep Thoughts and Other Assorted Candies to The Words of A Full Time Knee Grow. Am I so adamant in my blackness, that I forget that others have equal rights?
After some thought, I feel this is completely and utterly ridiculous. My pride in my heritage doesn't damage anyone else, just as their pride doesn't damage me. I've never begrudged anyone who felt the need to tell me about how they were from Irish heritage, and I've listened to numerous "My people were just as oppressed as your people because we were (insert nationality here) and we got called dark and were treated as less than human". While, as you can clearly tell, I maintain my normal air of cynicism, I don't disbelieve or feel as if a claim of oppression weakens what happened to my ancestors. I simply accept what I've been told, and if you feel as if your ancestors were oppressed too, then let's commiserate together. If me taking pride in my heritage and who I am bothers you, I don't feel as if that's something I did. You have the problem. You dislike my pride and as much as I hate to tell you this, you can't force me to stop feeling proud in the way that my ancestors not only struggled to gain freedom, but didn't let the oppression they were suffering completely define who they would be, nor did they let that same suffering define or shape the legacy they left to their children and their children's children.
Which brings me to the former point: I expect too much from the Grammy's as an award. I think this might be true. Ever since OK Computer, despite its not being what we'd expect from catchy mainstream alt-rock won a Grammy and was nominated for album of the year, I've had this illusion (for lack of a better word) in my mind that the Grammy's weren't about who sold the most, or who was the most popular, but about who presented the art form that most helped and moved forward his or her genre, or music in general. Oh sure, I was willing to admit there'd be a general nod to the most popular artist or the one who sold the most music by giving them a nomination, but ultimately the best artistic endeavor would win, undoubtedly.
Then Macklemore and Ryan Lewis won a Grammy. (See? Fits much more nicely here) Do I think that Macklemore and Ryan Lewis' album wasn't good? No. I found it pretty entertaining, and had it been merely nominated, I would have no complaints. But in my mind, in the world that exists in between my ears, wining Best Rap Album equates to "The album that from an artistic standpoint did the MOST for it's genre, more than any other album nominated. Here's where I feel as if this is where the contention lies. I don't feel as if it did that. In fact, I dare say, all it did was not do what hip hop has done best ever since its inception.
Hip hop has always been an art form of defiance. From the early days of Sugarhill Gang or Grandmaster Flash and the Furious Five, hip hop has been a rebellious and defiant reminder that it would not conform to whatever it was you felt it should. When millions were beginning to just understand the power of the N-word (not negro, the OTHER N-word) hip hop was spitting it into the faces of the people who refused to acknowledge its existence. Hip hop culture extended from a section of the population who were expected to lay down and die: the unwashed, uneducated masses who would never contribute anything into the world, who were meant to be servants, either of food or waste disposal. An entire subsection of urban culture who were not told but shown that no one ultimately would care about them or for them. Hip hop as a growling defiant response to every politician who would ranter pander for a vote than care for the constituents that had no voice, hip hop was the voice of thousands who had no choice but to repurpose what was given them and contribute to the human experience a living culture, a constant art form that has persisted even to this day.
Hip hop doesn't know color or creed, nationality or race. It is the voice of the people. In this regard, I applaud Macklemore and Ryan Lewis. They spoke out for a largely oppressed section of people. the LGBT community, and they used hip hop to do it. Largely this is unheard of in the world of rap, the music that hip hop spawned. By and large, rap lives in a world where being gay is undesirable, and this is expressed in the largely homophobic expressions hurled at one's enemies.
But this is not the first time that hip hop has championed the cause of an oppressed people, or even that of the LGBT community Granted many rappers still use gay slurs as a way to denigrate their detractors (that one's aimed at you Eminem, Rap God or not.) but hip hop being used to open our eyes to the plight of the oppressed isn't new. If Macklemore and Ryan Lewis won a Grammy only for this, I suppose I could understand and even accept it. However, what has happened feels far less like a feel good story.
Macklemore beat out Kanye West's flawed album Yeezzus (yes I do mean it when I said flawed. I really enjoyed it as an album. But let's not kid ourselves MBDTF it's not.) Jay-Z's Magna Carta/Holy Grail and Kendrick Lamar's Good Kid, m.A.A.d City. Oh whatever Drake did. Yeah. That passing mention is all Drake's album deserved. I honestly feel that was the popular album mention that got nominated but should never win anything. Yeah. Sorry Drake fans.
Jay-Z not winning? Meh. I can understand that. Magna Carta was amazing, but this is a man with a Grammy, a listing on Forbes and a wife named Beyonce. Jay's won so much at life already. What else could anything or anyone actually give him? But Kendrick...oh Kendrick. Your album was amazing so much so that most of us could forgive how long it took for you to make it. More importantly, just as he did with Section 80, Kendrick didn't just give us 10 songs. He gave us an ALBUM with a tied in theme and actual artistic merit. Add to this the fact that each of the songs have boundless meaning and are artistically what hip hop should be and well...we all see where I'm going.
The only consolation I have available to me is that Kendrick will probably be rapping and creating art for many more years. Who knows, the longer that Jay-Z keeps defying the hip hop gods and producing relevant music, the longer the average career of the hip hop star will last. But to tell me that artistically, the album that helped the entire genre of hip hop more was The Heist and not good kid m.A.A.d city is just egregious. This isn't me being an unrelenting fan boy of Kendrick Lamar, which I'm sure most of you will accuse me of. This is me being a fan of hip hop, one who is both proud of what it has become and ashamed of its vices. Kendrick Lamar represents an artist, who within the confines of the genre has managed to redefine it and has done so on its own terms. Macklemore and Ryan Lewis, however politically correct their rap may have been didn't do anything to expand upon the genre. Kendrick is using the traditional tropes of hip hop, the bravado, the rebelliousness and even the complete political incorrectness it has as a genre, and turning it completlely on its ear. Years from now, Grammy awards aside, who will we remember as being more genre defining?
The Grammy's aren't concerned anymore with artistic merit, at least not in the genre of hip hop. All they care about is their image and appeasing the perceived masses. This saddens me more than I care to admit. With that in mind, where can anyone turn to for a truthful assessment of any music? They all fall to capitalism eventually.
The Grammy's used to care about artistic merit. Now all it cares about is popularity, sales and ingratiating itself to hipsters and liberals. (Wow...that sounds extremely Fox News)